Collated Papers: Unreleased Music, 2011 - 2013


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Compilation of tracks recorded while living in Santa Cruz.

1 is a live track, slightly edited for flow, that utilized a mixing board, two microphones, alumophone, delay pedal, distortion pedal, and a small army of cables. Bedroom recording.

2 is a live improv that has been edited to remove some downtime from switching around cable lines. It uses a mixing board, one microphone, alumophone, electric cloaca, delay, distortion, and cables. Bedroom recording.

When The Axe and When The Guillotine (full titles spared here) are two live tracks recorded in my living room back in 2011. The full gear list for these pieces is as follows: mixing board, pedals (distortion, delay, volume), guitar, bass, cymbals, microphones, drum sticks, voice and found objects from the room. At one point two friends walked in while I was recording ...Guillotine... which led to a fun display of how I make these awful sounds.
Both this album and The Albert Fish Tapes were offered to Soundpress Records on two occasions in 2013, and both times they were never responded to. In the face of that, here they are for free through Ronerberg and self-release.


released September 26, 2014

All tracks fully realized by CLUB SAUCE.
Art made in (literally) 10 minutes in Photoshop, 7 minutes of which was choosing a font.




DD 2-14 / ENDOR / CLUB SAUCE Eugene, Oregon

DD 2-14 makes experimental, ambient, drone, and classically minded music.
ENDOR makes beats and beat-oriented music.
Club Sauce makes noise and static.
All are the same guy.
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